Artissima

2 November 2018 - 4 November 2018

Vernissage: Thursday, 1 November 2018

DIALOGUE Section
Black 15

Artissima
OVAL Lingotto Fiere
via Giacomo Matté Trucco, 70
Torino, Italy
www.artissima.it

Artists presented: Luchezar Boyadjiev Pravdoliub Ivanov Rada Boukova

Rada Boukova Bread, 2018 polyurethane foam
variable dimensions
Luchezar Boyadjiev Drawing #10 from the cycle of 150 drawings “Crucifixion for the Fisherman”, 1991-1992 watercolor, brush, pencil on paper
14 x 14 cm
numbered, signed and dated on the back More information on the series of drawings here
Luchezar Boyadjiev Drawing #102 from the cycle of 150 drawings “Crucifixion for the Fisherman”, 1991-1992 watercolor, brush, pencil on paper
14 x 14 cm
numbered, signed and dated on the back More information on the series of drawings here
Luchezar Boyadjiev Drawing #103 from the cycle of 150 drawings “Crucifixion for the Fisherman”, 1991-1992 watercolor, brush, pencil on paper
14 x 14 cm
numbered, signed and dated on the back More information on the series of drawings here
Luchezar Boyadjiev Drawing #107 from the cycle of 150 drawings “Crucifixion for the Fisherman”, 1991-1992 watercolor, brush, pencil on paper
14 x 14 cm
numbered, signed and dated on the back More information on the series of drawings here
Luchezar Boyadjiev Drawing #112 from the cycle of 150 drawings “Crucifixion for the Fisherman”, 1991-1992 watercolor, brush, pencil on paper
14 x 14 cm
numbered, signed and dated on the back More information on the series of drawings here
Luchezar Boyadjiev Drawing #116 from the cycle of 150 drawings “Crucifixion for the Fisherman”, 1991-1992 watercolor, brush, pencil on paper
14 x 14 cm
numbered, signed and dated on the back More information on the series of drawings here
Luchezar Boyadjiev Drawing #120 from the cycle of 150 drawings “Crucifixion for the Fisherman”, 1991-1992 watercolor, brush, pencil on paper
14 x 14 cm
numbered, signed and dated on the back More information on the series of drawings here
Luchezar Boyadjiev Drawing #127 from the cycle of 150 drawings “Crucifixion for the Fisherman”, 1991-1992 watercolor, brush, pencil on paper
14 x 14 cm
numbered, signed and dated on the back More information on the series of drawings here
Luchezar Boyadjiev Drawing #128 from the cycle of 150 drawings “Crucifixion for the Fisherman”, 1991-1992 watercolor, pencil, ink and pen
14 x 14 cm
numbered, signed and dated on the back More information on the series of drawings here
Luchezar Boyadjiev Drawing #132 from the cycle of 150 drawings “Crucifixion for the Fisherman”, 1991-1992 watercolor, brush, pencil on paper
14 x 14 cm
numbered, signed and dated on the back More information on the series of drawings here
Luchezar Boyadjiev Drawing #134 from the cycle of 150 drawings “Crucifixion for the Fisherman”, 1991-1992 watercolor, brush, pencil on paper
14 x 14 cm
numbered, signed and dated on the back More information on the series of drawings here
Luchezar Boyadjiev Drawing #141 from the cycle of 150 drawings “Crucifixion for the Fisherman”, 1991-1992 watercolor, brush, pencil on paper
14 x 14 cm
numbered, signed and dated on the back More information on the series of drawings here
Luchezar Boyadjiev Drawing #142 from the cycle of 150 drawings “Crucifixion for the Fisherman”, 1991-1992 watercolor, brush, pencil on paper
14 x 14 cm
numbered, signed and dated on the back More information on the series of drawings here
Luchezar Boyadjiev Drawing #2 from the cycle of 150 drawings “Crucifixion for the Fisherman”, 1991-1992 watercolor, brush, pencil on paper
14 x 14 cm
numbered, signed and dated on the back More information on the series of drawings here
Luchezar Boyadjiev Drawing #20 from the cycle of 150 drawings “Crucifixion for the Fisherman”, 1991-1992 watercolor, brush, pencil on paper
14 x 14 cm
numbered, signed and dated on the back More information on the series of drawings here
Luchezar Boyadjiev Drawing #21 from the cycle of 150 drawings “Crucifixion for the Fisherman”, 1991-1992 watercolor, brush, pencil on paper
14 x 14 cm
numbered, signed and dated on the back More information on the series of drawings here
Luchezar Boyadjiev Drawing #28 from the cycle of 150 drawings “Crucifixion for the Fisherman”, 1991-1992 watercolor, brush, pencil on paper
14 x 14 cm
numbered, signed and dated on the back More information on the series of drawings here
Luchezar Boyadjiev Drawing #40 from the cycle of 150 drawings “Crucifixion for the Fisherman”, 1991-1992 watercolor, brush, pencil on paper
14 x 14 cm
numbered, signed and dated on the back More information on the series of drawings here
Luchezar Boyadjiev Drawing #47 from the cycle of 150 drawings “Crucifixion for the Fisherman”, 1991-1992 watercolor, brush, pencil on paper
14 x 14 cm
numbered, signed and dated on the back More information on the series of drawings here
Luchezar Boyadjiev Drawing #50 from the cycle of 150 drawings “Crucifixion for the Fisherman”, 1991-1992 watercolor, brush, pencil on paper
14 x 14 cm
numbered, signed and dated on the back More information on the series of drawings here
Luchezar Boyadjiev Drawing #52 from the cycle of 150 drawings “Crucifixion for the Fisherman”, 1991-1992 watercolor, brush, pencil on paper
14 x 14 cm
numbered, signed and dated on the back More information on the series of drawings here
Luchezar Boyadjiev Drawing #55 from the cycle of 150 drawings “Crucifixion for the Fisherman”, 1991-1992 watercolor, brush, pencil on paper
14 x 14 cm
numbered, signed and dated on the back More information on the series of drawings here
Luchezar Boyadjiev Drawing #62 from the cycle of 150 drawings “Crucifixion for the Fisherman”, 1991-1992 watercolor, brush, pencil on paper
14 x 14 cm
numbered, signed and dated on the back More information on the series of drawings here
Luchezar Boyadjiev Drawing #75 from the cycle of 150 drawings “Crucifixion for the Fisherman”, 1991-1992 watercolor, brush, pencil on paper
14 x 14 cm
numbered, signed and dated on the back More information on the series of drawings here
Luchezar Boyadjiev Drawing #77 from the cycle of 150 drawings “Crucifixion for the Fisherman”, 1991-1992 watercolor, brush, pencil on paper
14 x 14 cm
numbered, signed and dated on the back More information on the series of drawings here
Luchezar Boyadjiev Drawing #78 from the cycle of 150 drawings “Crucifixion for the Fisherman”, 1991-1992 watercolor, brush, pencil on paper
14 x 14 cm
numbered, signed and dated on the back More information on the series of drawings here
Luchezar Boyadjiev Drawing #89 from the cycle of 150 drawings “Crucifixion for the Fisherman”, 1991-1992 watercolor, brush, pencil on paper
14 x 14 cm
numbered, signed and dated on the back More information on the series of drawings here
Luchezar Boyadjiev Drawing #91 from the cycle of 150 drawings “Crucifixion for the Fisherman”, 1991-1992 watercolor, brush, pencil on paper
14 x 14 cm
numbered, signed and dated on the back More information on the series of drawings here
Luchezar Boyadjiev Drawing #93 from the cycle of 150 drawings “Crucifixion for the Fisherman”, 1991-1992 watercolor, pencil, ink and pen
14 x 14 cm
numbered, signed and dated on the back More information on the series of drawings here
Luchezar Boyadjiev Drawing #97 from the cycle of 150 drawings “Crucifixion for the Fisherman”, 1991-1992 watercolor, brush, pencil on paper
14 x 14 cm
numbered, signed and dated on the back More information on the series of drawings here
Luchezar Boyadjiev Drawing #98 from the cycle of 150 drawings “Crucifixion for the Fisherman”, 1991-1992 watercolor, pencil, ink and pen
14 x 14 cm
numbered, signed and dated on the back More information on the series of drawings here
Pravdoliub Ivanov Hand Print, 2000 two color photos
50 x 75 cm each
edition 3+1AP The refrigerator of Pravdoliub Ivanov seen in the photos was not intentionally emptied. There was almost nothing in it so the author decided to melt the ice in the fridge chamber with his own hand and made photo documentation in two steps. As matter of fact, the imprint of a human hand is one of the oldest artefacts, about 37,000 years BC. This reference is important for getting to the matter like domestic (personal, hidden) – exposed (shown, not personal), comfort – soreness (discomfort), art – non art, that the two simple snapshots tries to evoke.
Pravdoliub Ivanov So Many Reasons…, 2004 installation
cut door and table, painted room
Installation view from Gallerie fur Zeitgenossische Kunst, Leipzig, Germany The work So Many Reasons…, 2004, was inspired from thoughts about tolerance as a mutual process. It plays with the idea that we could create common space only if we step aside and keep it for the other. In the context of an art space, the work could be read with more references as dichotomies: domestic and public, day life banality and art, accumulating home objects and sculpturing as a process of taking out the useless parts. However, the work has to be experienced by going through the door.
Rada Boukova Vitrines, 2014 series of 4 objects
glasses, cardboard, wooden frames
29 x 62 cm, 30 x 43.5, 30 x 43.5 and 38 x 48.5 cm The Vitrines series is a representative of the minimalist eye and laconic figurative language of the artist Rada Boukova. In a constant, pulsating equilibrium between the abstract and the literal, the accidental and the symbolic, the interior elements and leftovers are extracted from their context and transformed, thus playing with and re-classifying the characteristic topos of the trapped moment of the herbarium.