Kosta Tonev
Photography
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It's probably nothing, it's just a little neighborhood murder (Rear Window), 2020
photography 30 х 30 cm a photography documenting a collage on the window of the artist's home. Subtitles from “Rear Window” (1954).
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Untitled (Rear Window), 2020
Photography
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That's no ordinary look. That's the kind of look a man gives ...(Rear Window), 2020
3 photographs 30 х 30 cm (each) Photographs documenting a series of collages on the window of the artist's home. Subtitles from “Rear Window” (1954). View the work in details here The artist transforms his living room window into a movie screen, which displays subtitles from famous moments in film history. Thus, his everyday life, seen from the position of his neighbors, becomes a mosaic of movie scenes dedicated to the isolation of the individual and the attempt to reenact social interactions.
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Best goddamned bartender... (The Shining), 2020
2 photographs 30 х 30 cm (each) Photographs documenting a series of collages on the window of the artist's home. Subtitles from “The Shining” (1980). View the work in details here The artist transforms his living room window into a movie screen, which displays subtitles from famous moments in film history. Thus, his everyday life, seen from the position of his neighbors, becomes a mosaic of movie scenes dedicated to the isolation of the individual and the attempt to reenact social interactions.
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Here's to 5 miserable months on the wagon ... (The Shining), 2020
2 photographs 30 х 30 cm (each) Photographs documenting a series of collages on the window of the artist's home. Subtitles from “The Shining” (1980) View the work in details here The artist transforms his living room window into a movie screen, which displays subtitles from famous moments in film history. Thus, his everyday life, seen from the position of his neighbors, becomes a mosaic of movie scenes dedicated to the isolation of the individual and the attempt to reenact social interactions.
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April 8th. Thank God for the rain, which washed away the garbage and trash off the sidewalks, 2020
3 photographs 30 х 30 cm (each) Photographs documenting a series of collages on the window of the artist's home. Subtitles from “Taxi Driver” (1976). View the work in details here The artist transforms his living room window into a movie screen, which displays subtitles from famous moments in film history. Thus, his everyday life, seen from the position of his neighbors, becomes a mosaic of movie scenes dedicated to the isolation of the individual and the attempt to reenact social interactions.
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You talkin 'to me? (Taxi Driver), 2020
4 photographs 30 х 30 cm (each) Photographs documenting a series of collages on the window of the artist's home. Subtitles from “Taxi Driver” (1976). View the work in details here The artist transforms his living room window into a movie screen, which displays subtitles from famous moments in film history. Thus, his everyday life, seen from the position of his neighbors, becomes a mosaic of movie scenes dedicated to the isolation of the individual and the attempt to reenact social interactions.
