Installation

• The Yellow Blob Story, 1997 The Yellow Blob Story from The Absent-Minded Man project, 1997-present
  yellow paint, handwritten text; dimensions variable.
  Edition of 5 and 2AP
  
  
  collections of: MUMOK Museum Moderner Kunst Stiftung Ludwig Wien, Vienna
  MARTa Herford, Herford, Germany, Private collection, Italy, VanAbe Museum, Eindhoven, Deutsche Telekom, Germany
• I miss Socialism, maybe…, 2010 Wall painted in Chinese red, vinyl stickers, 9 sofas presenting the 9 Chinese characters constituting the phrase ‘I miss Socialism, maybe…’, 21 second-hand monitors of various sizes, 21 films, felt-tip pen, handwritten text on wall
  
  Photo: Oak Taylor-Smith
• This is Me Too, 1996 installation consisting of 73 drawings, 28 collages, 23 photographs, 5 paintings, textile materials and stuffed animals
• Top Secret, 1989–1990, 1989 Acrylic, drawing ink, oil, photographs, graphite, bronze, aluminium, wood; a shameful secret; 179 index cards in original box; video on DVD, colour, sound, 40'07", looped, 2007

Object

• Just Do It (from Bulgarian-American Souvenirs), 1994 leather, wood, metal, cutouts from a destroyed painting; texts with sepia and white ink
  71 x 21 x 5 cm
• David’s Ear Problem (from Mr. Curator, please….), 1994-1995 a souvenir head of David by Michelangelo, unidentified yellow substance, text on wall
  22 x 11 x 10 cm

Mixed Media

• Just Do It (from Bulgarian-American Souvenirs), 1994 leather, wood, metal, cutouts from a destroyed painting; texts with sepia and white ink
  71 x 21 x 5 cm
• Untitled, 1991-2024 PVC and permanent black felt-tip pen on wall dimensions variable
• A Little Ghost, 1990 white ink, oil, PVC, metal, mixed media on plywood
  97 x 97 x 8 cm
• David’s Ear Problem (from Mr. Curator, please….), 1994-1995 a souvenir head of David by Michelangelo, unidentified yellow substance, text on wall
  22 x 11 x 10 cm
• Good Luck, 1990 oil, PVC, mixed media on plywood
  97 x 97 x 7 cm
• Intimacy, 1989 graphite, oil and textile on canvas; polyptych in three parts
  approximately 80 x 170 x 15 cm all together
• Nine Sentimental Sets each consisting of three works
  by Mityo Solakov, Nedko Solakov, Dimitar Solakov
  
  
  Mityo Solakov
  Figure 7, Figure 8 or Figure 6, 2005/2013
  all - Bronze cast of Figures 7, 8, 9, 2005, terracotta
  edition 3+3AP
  
  Nedko Solakov
  Sculptures and Ants, 2013
  ink on paper, series of nine drawings
  14 x 19 cm each
  
  Dimitar Solakov
  Ant Guy (Go Ahead), 2013
  HD video, colour, silent, 5’20’’, 16:9, looped
  edition 9+   All works can be viewed here

Painting

• Window, 1981 oil on canvas
  39 x 58 cm
• A Fairy Tale, 1986 oil on canvas
  73 x 100 cm
• No Idea, 2023 oil on linen
  115 x 146 cm
• A Little Ghost, 1990 white ink, oil, PVC, metal, mixed media on plywood
  97 x 97 x 8 cm
• Good Luck, 1990 oil, PVC, mixed media on plywood
  97 x 97 x 7 cm
• Intimacy, 1989 graphite, oil and textile on canvas; polyptych in three parts
  approximately 80 x 170 x 15 cm all together
• Catastrophe, 1988 oil on canvas
  73 x 92 cm
• My Bulgarian Gallerist’s Butt, 2014 oil on canvas 
  97 x 130 cm
• Heat, 2021 oil on canvas
  97 x 130 cm
• Adapting, 2021 oil on canvas
  97 x 130 cm
• The Request, 2021 oil on canvas
  97 x 130 cm
• The Lucky Ones, 2021 oil on canvas
  97 x 130 cm
• Sinners, 2021 oil on canvas
  97 x 130 cm
• Shit, Shit, Pearl ,1990 97 x 97 x 6 cm
• The Certified Moron, 2021 oil on canvas
  97 x 130 cm
• The Border, 2021 oil on canvas
  97 x 130 cm
• A Suicidal Story with a Cliched Moral, 2021 oil on canvas
  97 x 130 cm
• A visit, 2021 oil on canvas
  97 x 130 cm
• On the Train, 1977 oil on canvas
  size of painting: 56 x 53 cm
  size of work: 90 x 120 cm This is a very strange canvas, I clearly tried to prime it myself, but the holes in it are too big. Otherwise, I am visibly influenced by M.B. At that time I mainly used the train to go home to Gabrovo. There was one at 5-something in the evening, that arrived in Gabrovo around 11 o’clock at night. Six hours of jostling and swaying. Crossing the Balkan Mountains was very tedious, especially in the winter, when beastly heat blasted from beneath the fake-leather seats – dry heat, no less. That must’ve been when I got the idea for this painting. But it’s not a winter scene – the vision in the corridor flaunts a summer dress.
• Waiting for Her, 1978 oil on canvas
  size of painting: 65 х 100 cm
  size of work: 134 x 390 cm A lot of waiting around happened on that terrace at Sofia Airport, now Terminal 1. The terrace for meeting and sending off our jet-setting relatives is long gone, but even longer before that my ex-wife and I briefly got married and then divorced a year later. We had been dating since our days at the Math High School in Gabrovo, after that we more or less kept our relationship going during our first year of university in Sofia (she studied Textile Engineering at MEI, I studied Mural Painting at the Art Academy). But after she went to study the same thing in Czechoslovakia, our love flared up because of the distance between us, and so it went for several years. We wrote letters to each other on a regular basis, which all ended with "You know ..." ("... I love you" was the unwritten sequel). I put mine in the mailboxes on the trams. It seems that this sweet service has long since disappeared. Well, here I am on the terrace, obviously it's winter or some inbetween season, it's cold. I'm dressed in a Mongolian Darhan coat (my lovely Bulgarian coat was stolen during the December 8 Students’ Holiday celebration in my first year at the Academy); I have a special scarf knitted by my future wife to flutter around and a neat cap bought in Prague on one of my trips to my beloved lassie (who was very sexy, so “lassie” is not a very appropriate term). And a bouquet, of course. And some tricks in the composition of the picture – just look how finely drawn the control tower is. And the sky is pretty gloomy. I could speculate that this comes from socialist oppression, but I won't because it's simply not true.
• The Landlady, 1978 oil on canvas
  size of painting: 73 х 92 cm
  size of work: 115 x 170 cm So, once we met at the airport, and after she called her parents in Gabrovo to let them know she had landed, we barricaded ourselves in my room and indulged in sex, naturally. From time to time, Aunt K., the landlady, checked to see what was going on and the only thing that saved us from "Uh, well, I was just..." was a small latch. In the picture the latch has been removed.
• Midday, 1978 oil on canvas
  size of painting: 39 x 58 cm
  size of work: 80 x 123 cm But this buoy is not really ok. At the time, I used shit like krapprot or carmine, which I painted this picture with (for many years my palette consisted only of cadmium yellow and red, ultramarine, titanium white and ivory black). I remember thinking the sky here was quite an achievement, being as close as possible to what I liked to call the "white sky". It happens in the summer and goes along with scorching heat. The character on the paddle boat is supposed to have passed through my head, given the point of view. Which sea is this? Ours, of course. Sunny Beach from back in the days when it was uninhabited. Or it could be from its north side.
• Shooting gallery, 1979-80 oil on canvas
  size of painting: 65 х 100 cm
  size of work: 100 x 180 cm To be honest, I'm not totally convinced that chronologically this work should be in this place. I have just achieved the "white sky" (which will serve as the basis of the future "silvery peinture" that will make me relatively well-known as the youngest member of the Union of Bulgarian Artists), and there they are again, those bright colors. But I'm sure that when I painted it, I identified with the boy in the dark.
• Jilted, 1980 oil on canvas
  size of painting: 61 х 46 cm
  size of work: 133 x 120 cm After a while, we got divorced. We were couple for seven years, got married (at 21) and divorced in less than a year. She stayed at Czechoslovakia with the man she fell in love with, and I indulged in debauchery in Bulgaria. We saw each other last year, after 33 years, in Slovakia, where she lives. We had a great time at their hotel complex – the two couples embraced. Here it is: (there will be a silhouette drawing on the wall). The stealer-of-other-men’s-women, whose guts I had previously hated, turned out to be a great guy. I told him this and we embraced again. Of course, this meeting was no accident and the whole juicy story was included in my work for yet another biennial. After all, I am from Gabrovo, and as notorious cheapskates we believe that nothing should go to waste.
• Swing, 1980 oil on canvas
  size of painting: 27 х 35 cm
  size of work: 70 x 68 cm This tearful little jewel was most certainly painted in the family dorms in Students’ Town (as was the previous work). I was basically on my own in the room, for obvious reasons, since my wife was in the Czech Republic and came back maybe twice – the second time it became clear that things weren’t going well at all. Apparently I comforted myself with such sentimental compositions (I think there was a lonely wife somewhere on the same floor doing the same thing).
• Village idiot, 1981 oil on canvas
  size of painting: 54 х 65 cm
  size of work: 80 x 118 cm I already mentioned the "silvery peinture" with which I became relatively well-known. In the beginning, all my silver paintings screamed with color just as “Village Idiot” screams. After a while I made two paintings (note that at last I use the word "painting") with similar titles, and though they, as paintings, were much better than the "almost" one in front of you, at the moment this idiot is somehow more appealing to me.
• The Water Pyramid, 2008 acrylic and black drawing ink
  on gilded carved lime wood
  47 x 68 x 8 cm   Work can be viewed in detail here

Drawing

• The Thief of Art (The Big Foot Yeti) #22, 1996 watercolor and ink on paper
  14 x 19 cm
• At the Same Time, 2024 watercolor and black ink
  series of 5 drawings
  28 x 39 cm each
• Stories in Colour, 2016 watercolour, black and white ink on paper
  19 x 28 cm
• Stories in Colour, 2016 watercolour, black and white ink on paper
  19 x 28 cm
• Stories in Colour, 2016 watercolour, black and white ink on paper
  19 x 28 cm
• Stories in Colour, 2016 watercolour, black and white ink on paper
  19 x 28 cm
• Stories in Colour, 2016 watercolour, black and white ink on paper
  19 x 28 cm
• Stories in Colour, 2016 watercolour, black and white ink on paper
  19 x 28 cm
• Stories in Colour, 2016 watercolour, black and white ink on paper
  19 x 28 cm
• Stories in Colour, 2016 watercolour, black and white ink on paper
  19 x 28 cm
• Stories in Colour, 2016 watercolour, black and white ink on paper
  19 x 28 cm
• Stories in Colour, 2016 watercolour, black and white ink on paper
  19 x 28 cm
• Wars #9, 1997 watercolor and ink on paper
  28 x 39 cm
• Single Drawing #1, 2013 black ink on paper
  19 x 28 cm
• Single drawing #2, 2016 sepia, black and white ink and wash on paper
  19 x 28 cm
• Single drawing #3, 2016 sepia, black and white ink and wash on paper
  19 x 28 cm
• Single drawing #4, 2016 sepia, black and white ink and wash on paper
  19 x 28 cm
• Single drawing #5, 2016 sepia, black and white ink and wash on paper
  19 x 28 cm
• Single drawing #8, 2016 sepia, black and white ink and wash on paper
  19 x 28 cm

Photography

• The Humble Snowflake....,1996 black and white photograph on variable supports
  220x120 cm

Print

• Announcement, 1999 message printed on 15,000 postcards and 200 T-shirts.
  Official participation of Bulgaria in the 48th Venice Biennial, Venice, 1999
  Courtesy the artist  

Video

• Nostalgia, 2010 HD video, color, sound, 1:22 min., looped
  edition 2/5+1AP

Performance Art

• A life (Black & White), 2001

Site-specific

• Doodles 2, 2020 black ink on door at The National Art Gallery

Other

• Untitled, 1991-2024 PVC and permanent black felt-tip pen on wall dimensions variable
• A Cornered Solo Show #2 exhibition view
  photo: © Nedko Solakov. Courtesy of the artist artista, Galleria Continua and Fondazione MAXXI
• doCUMENTA (13), 2012 installation view, Brothers Grimm Museum, Kassel, DE