ОТ

Info

Sarieva / Gallery, Plovdiv, is pleased to present the first solo exhibition of the sculptor Petar Nakov, realized as a site-specific project for the gallery. Nakov’s work OT explores space as a woven structure in which sculpture is not merely volume or material, but a system of interrelations. 

The exhibition originated at the end of 2024, when Vesselina Sarieva invited Ivaylo Avramov to present a series of sculptural exhibitions dedicated to space and the approach of the gallery. Avramov proposed the concept “Breakthrough in the White Cube”, which directly reflects his work in the field of institutional critique. Petar Nakov was selected as the first artist within this line.

Nakov creates a а site-specific project whose central element is a reinforcing (rebar) structure incorporating forms referring to the Glagolitic letters “o” and “t”. The work on the exhibition by Nakov and Avramov manifests not only as a spatial, site-specific realization within the compact internal volume of 423 × 404 × 355 cm (4.23 × 4.04 × 3.55 m = 60.67 m³), but is also perceived by the gallerists as a portrait of the genesis and character of the gallery. As Avramov notes, the work is “woven mesh that constructs space” - a quality characteristic of Sarieva / Gallery, which through its active hybrid program rethinks physical space as a starting point for institutional thinking and develops as a network for contemporary art. The display window becomes a border zone - both barrier and mediator - described by Avramov as “sharp as a razor,” but also as a “maximized aperture of a camera obscura,” projecting ideas from outside to inside and from inside to outside.

OT becomes a collaborative work between gallery, curator, and artist, uniting the transformation of the institution, curatorial critique of the exhibition model, and an artistic practice that considers space as a living structure.

The exhibition is accompanied by three texts:

• “Breakthrough in the White Cube”, text by Ivaylo Avramov
• “OT. A site-specific project by Petar Nakov at Sarieva Gallery, Plovdiv”, text by Ivaylo Avramov
• “Intention for a chronology. Sariev → SARIEV Contemporary → Sarieva”

Petar Nakov (b. 1976) lives in Sofia and works in Elin Pelin, Bulgaria, where together with the sculptors Vitali Halvadzhiev and Pavlin Radevski he co-founded Depo Sculpture. In 2001 he graduated in Sculpture from the National Academy of Arts, Sofia, in the studio of Prof. Angel Stanev. He has participated in numerous sculptural exhibitions, including: “Unnatural”, Goethe-Institut, Sofia (2024); “The Place as Sculpture”, Rayko Alexiev Hall, Sofia (2024); “Without Distance”, Rayko Alexiev Hall, Sofia (2015); “A Look Towards the Light”, Boris Georgiev Art Gallery, Varna (2011); “Studio 38”, Gallery 8, Varna (2002); as well as in the sculpture symposia “Man and Nature”, Vetren (2011–2013) and “Drustar”, Silistra (2006).

Ivaylo Avramov (b. 1968) is a sculptor living and working in Sofia. He graduated in Sculpture and obtained a PhD in Art Studies and Fine Arts from the National Academy of Arts. In 2022 he received the Ivan Lazarov Sculpture Award. In his work, he explores abstraction as an organized structure and as a method for uncovering hidden relationships between objects and phenomena.

Sarieva / Gallery was founded in 2004 in Plovdiv by Katrin Sarieva as a space inspired by the practices of the poet and visual artist Veselin Sariev, aimed at liberating language and building an international network of like-minded individuals. With the involvement of her daughter Veselina Sarieva, the gallery expanded through a foundation, educational, public, and cultural initiatives, as well as institutional partnerships, creating an active environment for contemporary art. After 2021, the change of name from Sariev to Sarieva marked a transition toward an emancipated program based on a network of collaborations in the field of collecting and presenting contemporary art. The gallery opened a branch in Sofia and continues to represent established artists while supporting emerging ones, combining the standards of the “white cube” with the concept of a “living gallery situation.”